One might contend that this attitude toward the African in Heart of Darkness does not belong to Conrad, but rather to Marlow, and that far from endorsing it "Conrad might indeed be holding it up to irony and criticism." (9) According to Achebe "Conrad appears to go to considerable pains to set up layers of insulation between himself and the moral universe of his story." (9) For example, Conrad has a narrator behind a narrator - he gives us Marlow's account through the filter of a second person. But if it were to visit its primordial relative, the Congo, it would run the terrible risk of hearing grotesque echoes of its own forgotten darkness, and falling victim to an avenging recrudescence of the mindless frenzy of the first beginnings. For the Thames too 'has been one of the dark places of the earth.' It conquered its darkness, of course, and is now in daylight and at peace. Heart of Darkness projects the image of Africa as 'the other world,' the antithesis of Europe and therefore of civilization, a place where man's vaunted intelligence and refinement are finally mocked by triumphant is not the differentness that worries Conrad but the lurking hint of kinship, of common ancestry. In "An Image of Africa: Racism in Conrad's Heart of Darkness ," Achebe accuses Conrad of racism as the essential "heart of darkness." The literal heart of darkness in Conrad's novel Heart of Darkness does not merely incorporate the Belgian Congo, the African savages, the journey to the innermost soul, and England as the corruptor in its attempted colonization of the African people for selfish and commercial purposes. Achebe: Racism in Heart of Darkness Achebe: Racism in Heart of Darkness Rachel Teisch '94, English 32, 1990)
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